Welcome to The Mundane Adventures of a Fangirl

I consider myself a Fangirl. What does that mean, you ask? A "fanboy" in the most common understanding is a hardcore fan of 'genre' based entertainment in particular. In my case - science-fiction and comic book based movies and television. Because I'm a chick - it's fangirl, not fanboy. There you have it! I am a big movie fan, however, not necessarily a 'film' fan. And now - I have the forum to present my opinions to the public! These will mainly be movie reviews -that will always be my opinion - repeat OPINION. Just what I think, and in no way do I present my opinion as fact. I hope you enjoy and maybe it will help you decide what to see at the movie theater this weekend!

Wednesday, June 26, 2019

Movie Review: Shaft 2019 (111 minutes – R)



The original Shaft came out in 1971 and was the definitive “Blaxploitation” movie of the seventies.  It was based on Ernest Tidyman’s novel and covered the story of private detective John Shaft who was hired by a Harlem mobster to rescue his daughter from Italian mobsters.  Richard Roundtree got the role over Isaac Hayes who ended up winning an Oscar for the theme song.  The movie was so successful that it helped save MGM from bankruptcy in 1971. 

The original was followed by three Roundtree sequels, Shaft in 1973, Shaft’s Big Score! In 1972, and Shaft in Africa in 1973.  The movie was rebooted/sequelized in 2000 starring Samuel L. Jackson as John Shaft II as he hunted down a criminal and gave up his police career for a private investigator job like his ‘uncle’ John Shaft.  Despite Sam Jackson being only 6 years younger than Richard Roundtree, he felt very natural in the role as a character who knows the streets and gets done what needs to be done regardless of the rules. 

This version picks up in the early 80s as Shaft and his lady, Maya, are arguing in the car when a local drug lord, Gordito, targets Shaft for assassination. Shaft gets the better of the hitmen, but Maya is terrified that this type of life will keep following them and with their new baby boy in the back seat, she will not take any chances. She takes their son, John Shaft III, and raises him elsewhere on her own. We get a series of time jumps as we see young JJ growing up and receiving random gifts from his father.  Eventually, JJ moves back to New York to begin work with the FBI as a cybersecurity expert.  His childhood friend Karim dies of a heroin overdose despite being clean.  In an attempt to track down the truth of what happens, he reluctantly asks his father for help.

At this point the movie shifts into JJ pointing out how Shaft’s technique, personality, and behavior are all inappropriate and out of date, while Shaft points out to JJ that he’s ‘soft’.  Eventually, the plot ties back to Gordito, and both Shafts have to go to Shaft Sr. in order for further assistance and all three Shafts team up to take out the bad guy.

This version is directed by Tim Story, and maintains the offhanded irreverence that the original and spin off mustered.  The back and forth between Shaft and Junior gets a little one note, but the chemistry and charm of the stars helps make it more watchable than it should be.  Shaft’s entire sensibility is no longer politically correct, but there is something to seeing Sam Jackson play it that makes it entertaining.

  • Samuel L. Jackson plays John Shaft II and when we first encounter him, he’s covered in stripper glitter, allowing you to infer what he’s been doing.  He embodies the character just fine, strutting around town and demanding answers in his various leather coats and turtlenecks.  The character is a relic, but somehow Sam makes him charming and entertaining.

  • Jessie T. Usher plays John Shaft III or JJ.  He’s doing his best as a millennial in today’s atmosphere and while most of Shaft’s sensibilities offend him, he tries his best to encourage him to adapt to modern attitudes. Usher is game and does the best he can with what he’s given.

  • Richard Roundtree plays John Shaft, and he steals the part of the movie he’s in. In this one he reclaims being John Shaft II’s father as opposed to uncle like he said in the previous movie. This despite the fact that he’s 76 and Sam Jackson is 70.  At one point in the movie they mention that Shaft II is 60, and sure, we’ll buy that.  Roundtree is so cool, so slick, and just the best part of this.

  • Regina Hall (who is 48 by the way) plays Maya and look – you know the female characters in a Shaft movie are not going to be well developed.  Essentially her only trait is that she was worried about her son and left Shaft, and now is still worried about him while still being sort of attracted to Shaft.

  • Alexandra Shipp plays Sasha Arias, a childhood friend of JJ’s.  She is smart and fun and has no patience for Shaft’s nonsense when he shows up.  She holds the grudge about him not being in JJ’s life better than JJ does.  She does get reduced to being starry-eyed chick when JJ defeats a couple of thugs.

  • Method Man reprises his role from the 2000 version as Freddy P, a friend of Shaft’s who is there to provide assistance, information, and commentary on JJ’s ‘game’ at a club.

  • Luna Lauren Velez who I remember from New York Undercover plays Bennie, a local grocery store owner who may or may not be in on the plot.

  • Titus Welliver plays Special Agent Vietti – JJ’s boss who is there to represent the ‘man’ always keeping JJ down by suggesting that a rookie should not take lead on a big investigation.

Overall, it’s a little choppy and one-note here and there, but the action scenes are pretty fun, and the banter between JJ and Shaft is entertaining enough thanks to the two actors playing the roles. Again, once Roundtree joins the fun, the movie is taken up a level.  I saw this in an almost full theater, and everyone in there was having a great time, laughing and cheering most of the movie.  It’s not great, but it sure is entertaining. Put on your trenchcoat and turtleneck and have a good time.

7 out of 10
I absolutely watch a weekly series on HBO called Shaft Investigations with all three of theses dudes solving cases.  

And in case you forgot the theme song, and how it's easily one of the very best and funkiest songs ever.




Friday, June 21, 2019

Movie Review: Men In Black International (PG13 – 114 minutes)


Men in Black was released in 1997, was based on the original comics (loosely), and was directed by Barry Sonnenfeld. It was clever, quick-witted, and was part of the three-year swing that turned the Fresh Prince into Will Smith the movie star.  There were two sequels, and in my opinion the second one was not great, and the third one was okay. This one is also okay.  I really do love the original. The effects are stunning and feature a lot of Rick Baker’s practical alien effects.  They give the movie a sense of realism along with its great action and comedy that was not as present in the sequels.

Men in Black International begins with Agent H and Agent T (High T) fighting ‘the Hive’ in Paris a few years ago.  It doesn’t quite go as planned, and from the description given of the Hive and the sequence, I thought the ‘twist’ was very obvious from this opening sequence.  The movie then jumps back further to show a young Molly observe Men in Black neuralize her parents to make them forget that they saw a fuzzy blue alien going through their trash.  Molly helps the baby get away after introducing herself to it - this comes back in a lovely way.  Since she never gets neuralized, that memory haunts her and she spends her life searching for the MIB and tracking aliens here on earth. 

One day she follows a lead right to a MIB arrest and walks right into the New York office. After talking her way into a job, Agent O assigns her to the London office, because ‘something is off’.  Molly becomes agent M, partners with Agent H, and sets off to help him guard a friend of his who may or may not have information about the hive.  Meanwhile, an alien of some sort shows up, duplicates a dude, and heads after a weapon masquerading as Les Twins.

The movie is directed by F. Gary Gray who continues to advance his career by taking on new and different challenges.  All the pieces here are great, and there are aspects of the movie that are great, but someone it is not quite a complete package. Unfortunately, it will keep getting compared to the original.  It’s not as good as that one, but it’s certainly on par with the sequels.  The action is fine, the comedy okay, and the cast is pretty great.

  • Chris Hemsworth continues to prove that he clearly prefers comedy-action to drama-action and shines as the slightly bumbling but heroic Agent H.  He’s a little overwhelmed by his own reputation and just as he is beginning to fall apart, M shows up to help him pull together. 

  • Tessa Thompson’s M is driven and determined and functions perfectly as the ‘straight man’ to Hemsworth’s bigger comedy.  It’s a similar pattern to their success in Thor Ragnarok, so it continues to work here. They have great chemistry and seem to really enjoy their hijinks together.

  • Kumail Nanjiani plays Pawny, and when I say plays him, what I mean is that he provides the voice for a tiny animated warrior.  He’s hilarious and entertaining and provides some wonderful light moments.

  • Rebecca Ferguson plays Riza an alien arms dealer who lives on a tropical island with bodyguards and amazing weapons.  She apparently also used to date H.  I really enjoyed her, especially when she and M get into a fight and you realize she has three arms. 

  • Rafe Spall plays Agent C who spends most of the movie throwing red herrings around fairly obviously.  He’s certainly game, and I definitely enjoyed the banter between he and Hemsworth. 
  • Emma Thompson plays Agent O who is running the New York office and takes enough of a shine to M to send her to London to follow a hunch.  She has the best dry comic timing and seems to really enjoy her role as the one connecting MIB3 to this International version.

  • Liam Neeson plays Agent T.  It’s tough, because at this point I’d be fine not seeing him anymore. He does well with what he’s given in this movie, not shying away from the zaniness or the action.

  • Les Twins pretty much play themselves. One is Laurent and the other is Larry, but I couldn’t tell you which is which.  If you are not familiar with them, they are incredible hip hop dancers who toured with Beyonce for a bit. This is their first movie, and certainly will not be their last.


Overall, the movie is fine, certainly more entertaining than not.  I definitely was missing a Will Smith cameo.  Like I said, it has some great sequences, and some interesting potential, but doesn’t fit together as smoothly as it should have. I wouldn’t mind another one, just because the core cast seems to really enjoy one another – but there better be some Will Smith in that one.

6 out of 10.
Bonus - more Les Twins action.




Thursday, June 13, 2019

Movie Review: X-Men Dark Phoenix (PG13 – 113 minutes)



The majority of my X-Men knowledge comes from the animated series that debuted in 1992 and covered various storylines from the comics.  One of those storylines was the Phoenix saga, that then shifted into the Dark Phoenix saga.  Essentially Jean Grey, already one of the most powerful telekinetic and telepathic mutants on the planet, interacted with an exceptionally powerful intergalactic force.  At first, she was able to control it.  However, she lost control and shifted into one of the greatest foes the X-Men have faced. 

This was somewhat covered in the audience-dividing X-Men 3: The Last Stand movie directed by Brett Ratner released in 2006.  Famke Janssen did a great job vamping her way through the movie as a Jean finally feeling herself after being held back for the previous two movies.  The rest of the movie is strange.  In any case, once the X-Men were semi-rebooted with X-Men: First Class in 2011 we got younger versions of the characters and the opportunity to revisit the most popular storylines. 

At the end of X-Men: Apocalypse (which was truly terrible), we got a glimpse of the possibility of the Phoenix as Jean began getting stronger.  Here, in X-Men: Dark Phoenix, we join the team as they are entering the 90s and finally enjoying some quality co-existing with humans. Professor X is getting chummy with the president and the X-Men are beloved heroes as they go on missions to help everyone.  A space shuttle gets into trouble with what seems to be a solar flare and the X-Men head out.  The team is being led by Mystique and Beast.  Mystique’s involvement in the team is still a giant what?!?! As that makes no sense based on the comics/animated series. Mystique was always a villain.  Just because you cast Jennifer Lawrence doesn’t mean you get to change the entire character.  In any case, Jean, Scott (Cyclops), Nightcrawler, Quicksilver, and Storm join Beast and Mystique to save the astronauts. They are successful, but not before Jean gets blasted by and/or absorbs the flare. 
Once back down on the ground, Jean starts to lose it.  Scott tries to reign her in, but the controls Professor X built into her brain to keep her insane power in check start to break down, and she realizes her father is still alive, but just wanted nothing to do with her.  Meanwhile a group of beings, who are absolutely not LIlandra and the Shi’ar, come down to get the power.  Well, things go from bad to worse as Jean realizes how she’s been manipulated by those she trusted, and just how powerful she is. 

The movie is directed by Simon Kinberg who did The Martian, Logan, and the terrible Fantastic Four reboot.  It’s far better than the previous outing, although that is not saying much.  There is actually not that much action, but what is there is well done.  This story is grim, which it is supposed to be, and its well-acted by those involved.  There are far too many extreme close-ups.  I can tell someone is emoting from four feet away, I do not need to be six inches from their nose.
  • Sophie Turner steps into the lead of this movie.  Jean was just on the fringes of Days of Future Past and then got a larger bit in Apocalypse.  Here, Turner gives Jean the weight of her pain, but also does a good job reveling in the Phoenix power when it debuts. Her performance is understated, but I enjoyed it. 


  • James McAvoy plays Charles Xavier yet again, and in this one, he’s become just a bit too comfortable with his celebrity status and reaping the rewards of building co-existence for mutants and humans.  McAvoy makes Prof. X a little arrogant and unwilling to accept the blame for his actions.  It’s a perfect fit, and an interesting take.

  • Michael Fassbender is back as Magneto, and he’s busy building his mutant island nation of Genosha when Jean turns to him for help.  Unfortunately, she’s killed somebody he liked a whole bunch, so he’s going to want to kill her.

  • Nicholas Hoult plays Beast, who seems to be able to turn his beast-ness on and off at will at this point?  he’s trying to remain the level-headed one in the group, but Mystique is trying to talk him into leaving the X-Men.

  • Tye Sheridan plays Scott Summers, and honestly, I felt like this movie needed more of him. The key to keeping Phoenix under wraps is Scott – it’s always Scott. The relationship between Jean and Scott should be central, and here is swept aside a bit.

  • The non-central X-Men in this story do not have much to do here.  Alexandra Shipp plays Storm, Kodi Smit-McPhee plays Nightcrawler, and Evan Peters’s returns as Quicksilver. 

  • Jessica Chastain joins as a big bad who is definitely not Lilandra, and honestly, I am not entirely clear who or what she is. Apparently their race has been chasing the Phoenix force in order to rebuild their world.  Ato Essandoh plays her number 2, Jones.

  • Jennifer Lawrence came back to play Mystique after complaining quite a bit about playing Mystique the last couple of times. It works a bit here because Mystique is a bit bitter. She’s still thinking mutants are better than humans and is not that interested in saving them or working with them. 


Overall, I think it was a huge benefit for me to go into this movie with very low expectations after reading some scathing reviews because I didn’t mind it nearly as much as I expected to. I enjoyed most of it, and I thought Turner did a good job.  The X-Men are always a little tough because they are not the light, fun characters that some other Marvel properties are. Things are always difficult for them because they are the allegory of the ‘other’ and how they struggle to fit into a society that hates them.  Most of their storylines are heavy and upsetting and translating them to the screen can be rough. This one is just fine.  It’s not great, but it’s certainly not terrible, and is definitely better than Apocalypse.

6 out of 10 - Entertaining enough! 

Wednesday, June 5, 2019

Movie Review: Godzilla: King of the Monsters (PG13 – 131 minutes)



Godzilla made his movie debut in 1954 and has been tearing through cities alternatively saving us or thrashing us since then.  Traditionally, he’s a huge prehistoric, amphibious monster who was originally awoken by nuclear bombings and moved on to attack Japan.  He has always been a reaction to humanity’s destructive tendencies, and is often layered in thematic references.  His first appearance was a commentary on the dangers of nuclear weapons. Here, he's definitely a response to the climate crisis.  From his original appearance, he became incredibly popular and shifted from villain to hero.  He would go on to fight various other kaiju (giant monsters) including Anguirus, Gigan, King Ghidorah, Rodan, Mothra, and most notably King Kong in 1962.  Incidentally in that movie, both fell off a cliff at the end of their final battle, with only Kong surfacing to swim back to his island home.  There was no sign of Godzilla, but of course he returned in another movie.

In 2014, director Gareth Edwards gave us a very serious big-time reboot featuring a Godzilla that looked more like the original (like a dude in a suit – which is really what we want).  It was the first movie in Legendary’s MonsterVerse.  In his 12 minutes of screen time, Godzilla helped Scarlet Witch and Quicksilver defeat some other kaijus referred to as MUTOs.  It also introduced Monarch, a shady company that seems to be all about keeping tabs on kaijus.  

Kong: Skull Island brought Monarch to King Kong’s island in the 70s where Sam Jackson tried to kill him and John C. Reilley, Tom Hiddleston, and Brie Larson tried to save him.  That movie is referenced many times in this movie, building to next summer’s showdown Kong versus Godzilla.  That is reportedly mostly a Skull Island sequel.  I’m not sure how I feel about that, it seems to lean towards Godzilla being the heavy, and I’m on team Godzilla all the way.  After that, we’re going to get another Godzilla sequel, which is good, because we know he’ll be back to the hero. 

In this movie, we join Monarch as they are being chastised by the military. Essentially, the military wants to take over Monarch and use their intelligence to destroy all the ‘titans’.  Monarch’s brass is arguing that the titans are here to restore balance, and since the majority of them are in hibernation anyway, let’s just let them be.  Monarch is keeping tabs on hibernating titans all over the globe, researching their previous appearances through stories and ancient pictures.

Dr. Emma Russell is working for Monarch and keeping tabs on a sleeping larval Mothra while her daughter Madison keeps reaching out to her estranged father, Mark.  Mark used to also work for Monarch apparently, but left after he and Emma lost a son in San Francisco in 2014 during Godzilla’s battle with the MUTOs.  Emma has developed a machine called the Orca that uses audio recordings of titans in order to create an ‘alpha’ sound to keep the titans at bay, calm, or drawn towards her. It has different effects throughout the course of the movie.  Mothra wakes up, gets scared when folks point guns at her, but then is soothed by Emma’s recording of the alpha noise – enough to let Madison pet her giant moth head.  Of course at that point, a group of eco-terrorist mercenaries lead by Jonah Allen burst in, frighten Mothra, and take Emma and Madison.  Mothra takes off to cocoon herself under a waterfall, as per usual.

Monarch goes to Mark to tell him what happened and get him to help find the Orca, which in turn should find Emma and Madison.  Mark’s a bit furious at all this and sides with the military in terms of wanting to kill all the titans, but shifts his opinion pretty quickly.  Allen and his crew head down to Antarctica to wake up Monster Zero – who is actually King Ghidorah.  It turns out their plan is to wake up all the titans to ‘cleanse’ the earth of the disease that is humanity.  Monarch was hoping one or two might wake up here or there to restore balance, but Allen and company are going to go a bit titan-crazy.  The problem is, Ghidorah is not like the others, and once he wakes up, things go bad quickly.  Luckily, Godzilla is still around to attempt to keep him in check.

The movie is directed by Michael Dogherty, who is mostly a writer but did direct Trick ‘r Treat.  He brings a great sense of epic action to this pure popcorn flick which I much prefer to the 2014 version.  There’s a ton more monster action here, and that’s what I want. In a Godzilla movie, I honestly don’t much care what the humans are up to - I’m here for the monster action.  That being said, the ‘plot’ is a little contrived and some of the performances are a little less than.  But overall, most of the humans know what movie they are in and are having an absolute blast.

  • Vera Farmiga plays Dr. Emma Russell and I was pleased with her through the movie. She’s making some questionable choices for the right reasons, and bound and determined to do what she can to save her family and the planet. 

  • Kyle Chandler plays Mark Russell and I still picture him as the guy who was getting tomorrow’s paper today, regardless of what other football things he did.  I wish he was having a little more fun in this – he’s great, but he’s taking it very seriously.  Of course, his role doesn’t leave much room for fun, so perhaps he made the right call.

  • Here we come to what might be an unpopular opinion – Millie Bobbie Brown plays their daughter Madison, and I found her completely useless in this movie.  The character seemed so unnecessary. Everything that Emma and Mark do would have exactly the same impact if she wasn’t there, and anything she did could have been done by Emma with the same results.  Not her fault, she was fine staring around in shock for the whole time, but honestly, did not need this character.

  • Ken Watanabe returns as Dr. Ishiro Serizawa from the previous Godzilla movie. He’s still Godzilla’s number one fan, and gets some up close and personal time with him here. Watanabe knows exactly what movie he’s making and plays it just a bit over the top in the most perfect way. Sally Hawkins returns as Dr. Vivienne Graham, and she’s there to remind everyone that the titans are fulfilling a purpose, right until she gets eliminated – sorry, spoiler alert.

  • Ziyi Zhang plays Dr. Ilene Chen and Dr. Ling – twins!  Which if you know anything about Mothra, is not a surprise to you.  Mothra always had two twin fairies with her to translate through song her greatness, or something like that. 

  • Bradley Whitford plays Dr. Rick Stanton and steals every damn scene he is in. This is a guy who understands the movie and spends a lot of time yelling at computer screens in the best possible way.

  • Charles Dance plays Jonah Allen and is equally as creepy and menacing as he always is.  It’s a little hard to buy him as a guy who wants to save anything - even if it is the planet and not the people.

  • Thomas Middleditch plays Monarch employee Sam Coleman.  I love Middleditch – but again, he seems to be an unnecessary character.  There are a ton of humans in this movie, and some of them really have nothing to do.

  • Aisha Hinds plays Colonel Diane Foster, and she’s there to make sure the military folks are in line and doing what needs to be done. 

  • O’Shea Jackson Jr. plays Chief Warrant Officer Barnes, and he’s there to be the audience representative – being shocked at the monsters and cracking jokes.

  • David Strathairn returns as Admiral William Stenz, and his main purpose – aside from trying to kill all the titans – is to release an ‘oxygen killer’ missile that will kill Ghidorah and Godzilla while they fight – at least, that’s what he thinks. You know that’s a bad plan.
  • Joe Morton pops up briefly as the older version of Dr. Houston Brooks – the character Corey Hawkins played in Skull Island.  My guess is that he will have a larger role in Kong vs. Godzilla. You don’t just have Joe Morton there for 3 minutes for no reason.

In the credits, Godzilla, King Ghidorah, Mothra and Rodan are listed as themselves, so here we are.  You can get details on all the monsters at MonarchSciences.com.  
  • Once Mothra comes out of her cocoon, she is simply stunning.  She’s 52 feet tall with a wingspan of 803 feet, and apparently, she’s about sprinkling bio-luminescent rays from above to help Godzilla when he needs it. She's also pretty badass in a fight, and not above using her very pointy legs to get the job done when necessary.

  • Rodan is very pteradon–like and living in a volcano in Mexico.  He’s 154 feet tall with a 871 foot wingspan.  He's here to spread firey destruction and is far more mobile in the air than I remember him being. Also, he's a bit of a punk and will follow whoever is in charge at the time.

  • King Ghidorah is the 521 foot tall three-headed two-tailed space dragon who gives Godzilla a run for his money as the alpha.  The center head and body is performance capture and really makes a difference in the visuals.  Ghidorah is pissed when he is awoken, and sets about calling everybody to wake them up and reign destruction on the planet. He’s mean, vicious, travels in his own hurricane, and does not care about you or your helicopter or your baseball stadium.

  • Finally to our star, Godzilla.  He’s even bigger and more muscle-y in this version at 393 feet.  It’s the second largest he’s ever been.  He’s also performance capture, which gives the fights more impact as well as the standing around bits.  He definitely looks like a dude in a suit, but even better, his eyebrows give him a bit more facial expressions.  When he’s tired, you can tell – when he’s surprised, you can see that too.  When he’s angry at the end, man, you can definitely see that.  The scene where he stares down Ghidorah over Boston and then sprints toward him at a full run is still one of the best things I have ever seen. Godzilla is awesome and absolutely beautiful in this movie that cements him as the King of Monsters.  Kong who?


Overall, the movie is a ton of fun, exactly what you expect, and a near-perfect popcorn flick.  Don’t think about the science too much, just enjoy the visuals. Yes, there are too many human characters, so some really get shortchanged on story, but that’s okay.  Maybe they’ll be back in the next one!

9 out of 10 – fantastic and fun.

Sidenote - Godzilla is an incredible cultural icon and one of Japan's most popular exports, he's even got a star on the walk of fame!  I will be sorely disappointed if he does not feature in the Tokyo 2020 Olympics opening ceremonies next summer in some way or form!


Tuesday, May 28, 2019

Movie Review: John Wick Chapter 3 Parabellum.



John Wick debuted in 2014 and proved that a simple story, executed well, can create an exceptional movie. In that chapter, we met John Wick, retired hit man, shortly after the death of his wife due to an extended illness. Knowing he would be alone, she arranged to have a beautiful puppy delivered to him after her funeral.  John randomly encountered some thugs who stole his car and killed his puppy – he spends the rest of the movie hunting them down and killing them.   Directed by Chad Stahelski, who has been Keanu’s stunt double since 1999’s The Matrix, the movie was fast and fresh, and who doesn’t want to see puppy murderers get what’s coming to them?  By the end of that movie, he had found a new dog, and killed enough people that the High Table started to wonder if he was un-retired.
The second chapter in 2017 delved more into John’s hitman world, and the Continental, the hotel where they can seek refuge, but where they cannot conduct business.  After a movie’s worth of folks trying to get John back into business, John breaks the rules and kills a guy on Continental grounds.  That movie ends with John getting excommunicated, and a bounty getting taken out on his head with notice going to all the bounty hunters and assassins everywhere.

Chapter 3 picks up immediately thereafter. John has one hour to prep before his excommunicated status goes active and everyone begins coming after him. He gets his wounds tended as best he can as the time runs out.  He then spends the rest of the movie attempting to find allies and backup while going to meet ‘the elder’ who operates above ‘the table’.  The High Table is the organizing body of the association of hitmen, or at least, that’s what it seems.  The Elder agrees to waive John’s sentence, if he comes back into service, and does a job for him.  Things go awry from there, but we’ve already been guaranteed chapter 4.  Eventually, hopefully, he will get back to his quiet life of retirement with his new dog.
This chapter is also directed by Chad Stahelski, and again features action sequences second to none. The hand to hand combat sequences are exceptional, and John does get to battle hordes of ninjas here. The gunplay is a bit excessive for me, but Keanu does it very well.  Halle Berry’s character has two dogs she has trained to essentially function as extensions of her weapons and they are amazing, I have never seen anything quite like that before.  The dogs and their interaction with her is one of the most exciting things in this movie.  Neither of them get hurt – also, John’s dog is fine.
  • Keanu Reeves is perfect as John Wick. He’s a man of few words, definitive actions, and a desire to get back to his retirement.  But he also is not going to let anybody get away with pushing him around.

  • Halle Berry plays Sofia, a woman who is running the Continental in Morocco and is less than thrilled to see John.  She does what she can to help, and gets just a couple of scenes, but what incredible actions sequences they are.

  • Ian McShane plays Winston, the manager of the Continental in New York. He’s either John’s closest friend or greatest enemy, and that seems to change from scene to scene, which makes him one of the most interesting characters in the movie.

  • Lance Reddick plays Charon, the concierge of the New York Continental. He’s happy to dog-sit for John, and also not afraid to get his hands dirty when things get questionable.

  • Laurence Fishburne plays the Bowery King who has a network of ‘homeless’ undercover assassins and information gatherers. He helps John, but ends up pissing off the Table with that action, which in turn, pisses him off.

  • Mark Dacascos plays Zero, and I have been a fan of his for so long, since Only the Strong in 1993.  It’s so wonderful to see him in this, and he really seems to be having the best time of anyone in the movie. He is obviously enjoying every scene as he chases down and admires John Wick.

  • Asia Kate Dillon plays the Ajudicator, who shows up to bring the Table’s ruling to various characters who have interacted with John, helping him along his way.  Dillon is cold as ice, and perfect in the role.

  • Anjelica Huston plays the Director of some sort of Russian organization while also cruelly coaching ballerinas and wrestlers – she has a lot going on.  John goes to her for help, to call in a favor from long ago.

  • Said Taghmaoui plays the Elder, despite being younger than almost everyone else in the movie. He’s just wandering the Moroccan desert waiting for folks to try to come find him so that he can remind everyone he’s above the Table.

  • Jerome Flynn, most recently seen as Bronn in Game of Thrones plays Berrada, someone only Halle Berry can get John an audience with, and he’s less than helpful. Although he provides some random history on the word ‘assassin’.

  • Jason Mantzoukas plays the Tick Tock man, one of The Bowery King’s assets who seems to be there just to remind John Wick he’s running out of time. It’s a thrill to see Mantzoukas there, especially if, like me, you’re a fan of the How Did This Get Made podcast. If you aren’t, you should be, it’s fantastic.

  • Also – there’s a random non-penguin Robin Lord Taylor appearance!

Overall, if you liked the others, you will love this. There are so many action sequences that are crafted to include bits I have never seen before – which is tough these days. The action is incredible, the story is fine, but in reality, it is second tier to the action. This movie is the perfect example of how a simple story executed perfectly can be far superior to a complicated story executed poorly.  I am looking forward to seeing what John gets up to in Chapter 4, and if he can ever get back to his retirement.
8 out of 10 – same score as the other two chapters, exceptional action and really entertaining.