I consider myself a Fangirl. What does that mean, you ask? A "fanboy" in the most common understanding is a hardcore fan of 'genre' based entertainment in particular. In my case - science-fiction and comic book based movies and television. Because I'm a chick - it's fangirl, not fanboy. There you have it! I am a big movie fan, however, not necessarily a 'film' fan. And now - I have the forum to present my opinions to the public! These will mainly be movie reviews -that will always be my opinion - repeat OPINION. Just what I think, and in no way do I present my opinion as fact. I hope you enjoy and maybe it will help you decide what to see at the movie theater this weekend!
The teen-sex comedy is a movie gimmick that has been around
almost forever. There were plenty of
them in the 80s, and then American Pie in 1999 re-vitalized the genre for a new
generation. I’m sure you have your
favorite; there are plenty to choose from.
Of the recent ones (Private Resort is my favorite 80's one, and yes, because of Johnny Depp), I find Euro-trip (2004) to be the most absurdly
hilarious.
The majority of these, and probably the top 10 you can think
of, center around young high school boys attempting to get laid. That’s the formula, its’ worked up to this point,
it’s not going to change anytime soon.
Writer/Director Maggie Carey (who is married to Bill Hader) makes her
feature film debut with this, the To-Do List, and tells the teen sex-comedy
from a completely female viewpoint. It’s
not 100% original, but it is rare, and it is funny.
There is the good news that almost everyone in this movie is
over 25 years old. There is not really any nudity, but there is graphic discussions and
actions. The plot is simple, valedictorian
Brandy Klark has her life completely planned out. She has graduated and has everything in order
for college. She then realizes (or is
convinced by her friends) that she is nowhere near sexually experienced enough
for college. She makes a to-do list of
sexual exploits, and sets out to use the summer between high school and college
to check everything off that list. This
involves her summer lifeguard job, her
best-friend-who-wants-to-be-more-than-friends Cameron, her two crazy best
friends, her boss at the pool, and the guys who work at the pool. Hilarity ensues.
And I mean it when I say hilarity ensues. Look, this movie is dirty, I won’t lie to
you, but I also found it charming and hilarious. Brandy handles her list like any other task
to be accomplished in her life with a very business-like attitude, which of
course goes well until people start to find out about the list. The cast is great, and really seems to be
having a fun time throughout the entire picture.
Aubrey Plaza plays Brandy at a few notches above her bitter,
angry character from Parks and Rec. She
tackles every scene in the movie with no sense of shame, and with a genuine
search for experience. Her delivery is
mostly flat, but at this point, that seems to be her trademark. And it really does work perfectly for this.
Johnny Simmons plays the poor doormat best friend Cameron. I did spend most of the movie trying to
figure out where I had seen him before until I realized he was Young Neil in
Scott Pilgrim vs. The World. By the way,
if for some reason you haven’t seen that yet, rent it now.
Bill Hader plays pool manager Willy, who Brandy has to teach
to swim, and learns some things from (although not much). He is always funny, and is surprisingly
understated in this.
Alia Shawkat basically plays Maybe Funke – just in a
different environment. She’s the bolder
of the two best friends, and works at the local Big Bun fast food joint. Sarah Steele plays Wendy, the other best
friend, who also works at the Big Bun and has one of the best running gags in
the movie by insisting that they get together to watch Beaches, which does have
a great payoff near the end of the movie.
Scott Porter plays local heartthrob Rusty Waters, who Brandy
falls for at a graduation party because he’s singing and playing a guitar. Then of course, he ends up working at the
same pool as she does for the summer.
His character could have been very two-dimensional, but Porter actually
gives him just enough bits of business to make him entertaining and have a soul
– not much of one, but it is there.
Rachel Bilson plays Brandy’s older sister Amber, which threw
me a little because it seems like Rachel Bilson is younger than Aubrey Plaza,
but whatever. She’s the sexually
experienced one in the house, and Brandy goes to her for advice now and
again. She’s dating a hippie of sorts,
played by Adam Pally, who doesn’t get nearly enough scenes.
Christopher Mintz-Plasse plays Duffy and Donald Glover plays
Derrick. These are two smaller roles,
and basically just serve as other guys in the film, but both of them are good
enough comedians to give their small characters something memorable to do.
Andy Samberg has basically a cameo as Van, the singer of a
grunge type band.
Connie Britton and Clark Gregg play Mr. and Mrs. Klark. They are both very funny and it’s hilarious
to see Gregg do something non-Coulson-y, and by that I mean having sex with
Connie Britton in the backseat of a mini-van.
All in all, the movie was good, by no means great, but
solidly funny. I had a good time
watching it. I will say that I went to
the movie with a group of my girlfriends, and we enjoyed the whole thing and
had a great time laughing at it together.
However, there was a surprising number of older men there watching the
movie – each of them alone, weird. Also,
the movie is set in 1993. I graduated
high school in 1994, so honestly, the timeline should feel familiar to me. Most of the music was correct, but I felt
like some of the fashion and extras were a little 80s. That’s a small thing to pick on, but it stuck
out.
6 out of 10: Dirty,
funny, enjoyable. Gained points for the
suds prank they pull on the other pool.
Lost points for the ‘Caddyshack’ bit in the pool. Gained points for having D.C. Pierson in
it! Lost points for D.C. not having any
lines. Gained points for the Wind
Beneath My Wings moment. Also Gained
points for the skorts bit. I had a
couple of pairs of those.
Bonus Video 1: Scott
Pilgrim Vs. The World
Bonus Video 2: Sex Drive from 2008 – another funny teen sex
comedy.
Wolverine’s first appearance was in the last panel of The
Incredible Hulk #180; then a full appearance in #181 in November of 1974. He was created by Len Wein and John Romita
Sr.
Wolverine quickly became Marvel’s most popular
anti-hero. The simplest way to explain
that is that he’s a good guy, with a bad attitude. He’s willing to use deadly force and has a
brooding nature. He’s Canadian, and has
been a member of Alpha Flight (Canadian Avengers?) and the X-Men. His mutant powers are regenerative healing
powers, plus several animal qualities: heightened senses (hearing, sight,
smell), and of course, the claws.
Originally the claws were bone, until he went through a procedure that
only he could survive because of his mutant ability. He had Adamantium bonded to his bones –
making him virtually indestructible. He has a long and storied history – and if you want to learn
any more about it check the Wikipedia page:
http://en.wikipedia.org/wiki/Wolverine_(comics). The character became even more mainstream
with the fantastic 90s X-Men cartoon, where he was voiced by Cathal J. Dodd.
This was followed by his first on-screen appearance in 2000,
by a then-unknown Australian actor, Hugh Jackman. The story focused on Wolverine, pulling him into the
already-established X-Men.
The movie was
great, fun, and brought characters that everyone had wanted to see finally to
the big screen. It was followed by the
even better X-Men 2, and the very average X-Men 3. Each of these really uses Wolverine as the
focal point, because of both his popularity, and the amazing performance of
Jackman. The truth is – he’s way too
tall to be Wolverine (in the comics, he was first listed at 5’3” – Jackman’s a
foot taller…however, of late, Wolverine has started to be pictured taller, a
tribute to Jackman’s performance).
In 2009 we were treated to X-Men Origins: Wolverine.
Well, ‘treated’ might not be the right
word. Look – it wasn’t terrible. Jackman was fantastic. There were parts of it that were
entertaining. But in terms of
characters…well, you surely know someone who is a die-hard Marvel Comics expert
– check with them about the character errors.
Then there was the failed attempt to bring in fan-favorite Gambit (this
marks the second epic failure in trying to present fan-favorites if you look at
Topher Grace’s Venom in Spider-Man 3).
It wasn’t Taylor Kitsch’s fault, it just felt way too forced. And, of course, the failed attempt to bring
in fan-favorite Deadpool (that’s three). Check with your Marvel expert about Deadpool as well - but be prepared for them to get long-winded as passionate. He's a man of the people! I would say the bright parts were Jackman’s performance, Liev Schrieber’s performance as Sabretooth, and
Danny Houston as young William Striker.
The adamantium bonding sequence was also pretty great. And the opening title sequence where we see
Wolverine and Sabretooth through a lot of World Wars – also pretty great. So – rent it and fast-forward through the
not-great parts.
That brings us to The Wolverine (skipping his fantastic
cameo in X-Men First Class). This movie
is directed by James Mangold (Cop Land; Girl Interrupted; Identity; Walk the
Line; 3:10 to Yuma; Knight and Day) who had previously worked with Hugh Jackman
in the rom-com Kate and Leopold – a movie in which he and Liev Schrieber were again
fantastic, and Meg Ryan played the exact same character she always plays.
The Wolverine focuses on some of the most famous pieces of
Wolverine comic history, when he spent extensive time in Japan. Wolverine is bumming around Canada, feeling sad/guilty over
the second loss of Jean Gray in X-Men 3, for which he is blaming himself. There’s an odd/upsetting sequence with a
bunch of idiot hunters and a fake grizzly bear (thank goodness it was obviously
fake, I do not do well with animals getting hurt in movies) in which Yukio
notes the honor and justice in Logan.
She approaches him and tells him that Mr. Yashida, a man he saved in
Nagasaki many years ago, is dying. He is
paying old debts, and has something for Logan.
Intrigued, and perhaps a bit tired of living in a cave (seriously, he’s
living in a cave slicing trees to mark his territory….which is still better
than moping around his mansion for 8 years on a cane after the death of his
girlfriend who was going to leave him anyway – but similar) Logan heads off to
Japan.
He arrives in time to speak with Yashida as he is laying on
the fanciest hospital bed ever (wouldn’t the memory issues he had in previous
movies prevent him from remembering him – or anything that had happened? Or was he getting his memory back in the last
movie? I can’t remember – that’s a
memory joke). Yashida offers to take
away his ‘immortality’ which is really just his mutant regenerative powers so
that he can finally relax – and die. Of
course, Yashida has ulterior motives, he’s not just doing this for Logan’s benefit;
he wants the powers for himself, so he can evade death. At no point is Logan sucked into this
nonsense, and politely refuses. Well –
as politely as a Wolverine can. Yukio
introduces him to Mariko – who is Yashida’s granddaughter. The two girls were raised together. Yashida is about to leave his entire company
and fortune to Mariko, which is bound to upset her father, Shingen – who
desperately wants control of the fortune.
Incidentally Yukio’s mutant power is seeing peoples’ deaths. How’s that for a crappy mutant power? Yashida’s private doctor, who is Viper in
disguise (it’s a terrible disguise, she always wears green, reptile-skin type
clothes and has a creepy snake tongue and is exceptionally poisonous) infects
Logan with something that suppresses his healing powers. Yashida passes – which Yukio didn’t see, and all hell breaks
loose at the funeral as Mariko’s fiancée Noburo, and the rest of the family are
attacked by Yakuza who attempt to kidnap Mariko, while Mariko’s childhood
sweetheart Harada tries to help protect her.
Logan saves her, but gets shot a whole bunch of times in the process,
and doesn’t heal up like he normally does.
This forces them to go into hiding together. At this point there’s a slow 20 minute or so
sequence in which they fall for each other, the phantom Jean Grey that’s
haunting Logan gets a little jealous, and Logan does some more
remembering. Then – despite them hiding,
they are found and she’s kidnapped. This
leads to the big epic finale where Wolverine has to fight Silver Samurai – no
spoiler, it’s in all the previews.
(In the comics, Silver Samurai first showed
up in 1974 in a Daredevil comic – he was Kenuichio Harada, he partnered with
Viper, and worked for Clan Yashida and Hydra…however, Shingen Harada was also
the Silver Samurai for some time).
This movie starts fast, is really fun action for the first
act – really slows down in the second act, then really picks up for the fun act
three conclusion. The cast does a great
job:
Hugh Jackman is once again amazing as Logan. Now that he has been doing this over 6
movies, there is no one else that could possibly play this character, and I
cannot wait for X-Men: Days of Future Past next year. He is able to play the complete berserker
warrior half of Wolverine, but is also able to give him these quiet
introspective moments. He is
incredible. And the shape that he’s in
for this movie – even more incredible…I would have liked that bath sequence to
go on bit longer. http://www.buzzfeed.com/erinchack/a-breakdown-of-hugh-jackmans-latest-twit-pic
Tao Okamoto was interesting as Mariko. She wasn’t quite a damsel in distress, having
enough skills to fight off a few of her attackers. She did have a regal air that makes you
believe she could step into managing an international company.
Rila Fukushima plays Yukio, who is spunky and fun, but also
takes her duties very seriously. Her
sword-wielding skills are non-mutant, but still pretty impressive. She was a bright spot in this movie.
Hiroyuko Sanada plays Shingen. He’s brooding and does his best to convince
you he’s evil throughout the whole movie.
He’s angry most of the time, especially when threatening his
daughter. Hey, it’s not her fault that
his father left everything to her!
Svetlana Khodchenkova plays Viper and I have to say – does a
really good job. She’s creepy and
weird. She’s also slinky and sexy – but uses
that as a means to an end. When she
finally does the molting sequence (again, not really a spoiler, it’s in the
trailers) it’s very cool.
Brian Tee plays Mariko’s fiancée Noburo.
It’s an arranged marriage and she’s not that keen on him. Considering the partying he’s doing, he’s not
that keen on it either. He has one of
the best sequences in the movie when Logan comes to him to get
information. How about the red
underwear?
Hal Yamanouchi plays the older Yashida. Again, I couldn’t get past the hospital
bed. It’s crazy amazing. Also – in the trailers, it really made it
look like he was trying to give Logan a gift by taking away his mutation. In reality – he’s much more devious.
The beautiful Will Yun Lee breaks “Marvel Law” by playing
two different characters in the Marvel Universe (hey, it worked for Chris
Evans). Previously he played Kirigi in
Elektra (oh, you didn’t see that? Neither
did anyone else – well, except for me). In
this movie he plays Harada, Mariko’s childhood sweetheart. He’s fantastic – and seems to have the very
best intentions. Incidentally, I loved
the idea of incorporating a bunch of characters into this movie who had been
the Silver Samurai in the comics, so you don’t really know who it will be.
Famke Janssen stops being Taken long enough to play Jean
Grey in this movie. And, basically she’s
the same as the Six was to Baltar through the majority of BSG. Is she there?
Is she in his head? Well, okay,
in this one we know she’s a representation of Logan’s guilt and inability to
let go of the past, but she kept popping up here and there without being
real. Pretty slick. I really liked her 'Dark Phoenix' portrayal, when she goes evil - she gets way more interesting.
The movie is not perfect, but it is really fun. The beginning through the funeral chase
sequence is fantastic. The middle really
slows down and could have used some tighter editing. The final sequence is fantastic. The story is good, but really the point is
Hugh as the Wolverine, and he is amazing.
Stick around for the post credits bit, it really makes me look forward
to next year!
8 out of 10. Gained
points for the bath sequence. Lost
points for viper licking stuff with her creepy poisonous tongue. Gained points for Yukio being punky and
fun. Lost points for carefully avoiding
the Lady Deathstrike comic storyline…or maybe gained points for that? Gained points for the final fight – it was
really fun! Lost points for the fake
bear getting killed (spoiler) – I was still upset even though it was fake. Gained points for the post credit sequence…Hooray! http://www.trask-industries.com/#/home
Bonus Video 1: This is a fan-made music video of Wolverine and Lady Deathstrike from the
animated series. The internet is full of interesting things.
RED was first published as a short series of comic books by
Warren Ellis and Cully Hammer in 2003.
DC comics re-released them in 2009 just before the first movie was
released in 2010.
In the film – Frank
Moses is a retired CIA agent who spends his days quietly in a Cleveland
suburb. It seems that his only joy is
calling Sarah, who works for the Pension office and talking with her. Suddenly, a hit squad shows up at his house,
marking the end of his quiet retirement.
He has to go on one last mission – pulling in all of his old co-workers
and conspirators; hijinks enuse. Incidentally – RED
means Retired: Extremely Dangerous.
The movie was directed by Robert Schwentke and Starred Bruce
Willis as Frank Moses, as well as Morgan Freeman, John Malcovich, Mary-Louise
Parker, Helen Mirren, Karl Urban, Julian McMahon, Ernest Borgnine, Richard
Dreyfuss, Brian Cox, James Remar and Rebecca Pidgeon (in a non-Mamet
role!). It was charming and fun. So of course, a sequel was inevitable.
RED 2 is directed by Deal Parisot, and brings back the
original cast, and adds a few more members.
Frank is again attempting to live the quiet suburban life with Sarah –
who seems to be itching for action. Marvin
seeks them out to say that they are about to be attacked. Sure enough, they are attacked, and get a
call from Victoria, who states that a hit has been put out on them. Something to do with a mission during the
cold war to get a nuclear weapon out of Russia, which is still hidden
there. They have to collect the clues to
hunt down the trail of the one scientist who knows where the device is
located. Hijinks and action ensue.
I almost never say this, but I felt like this sequel was
better than the original. It seems to
have a more consistent tone, the action is almost non-stop and the pacing is
better. The story is good, the twists
are unexpected, and it really makes for a fun summer movie. Not surprising, Dean Parisot directed another
movie with a grumpy cast, but a fun action tone, Galaxy Quest. If you haven’t seen that – you should rent it
immediately.
The secret to this movie’s success is the cast. These actors all seem to genuinely enjoy
being in this movie, playing these roles – which are all much more
action-figure-y than their real personas.
Bruce Willis once again stars as Frank
Moses. He is perfect for this role, and
almost seems to be playing a bit of himself.
He is quietly confident, and just wants to stay home is his peaceful
suburbs. However, when the action does
get going, no one is better than Willis at the every-man action star.
John Malkovich takes some time off from his
hobby of singing opera to star as Marvin; the slightly “off” friend of Frank
who spends most of the movie giving Frank and Sarah relationship advice. Malkovich is entertaining and weird, and I
mean emphasis on the weird.
Mary-Louise Parker, who really irritated me in
the original, is far less annoying in this movie. However, her character is still a little
nonsensical and bizarre. She loves Frank,
but wants the action, and would prefer that he go back to accepting missions,
rather than attempting to just stay quietly at home. She’s thrilled when Marvin shows up, and even
more thrilled when she gets to play an active part in some of their covert ops.
Honestly, the bit with her going
undercover in the Kremlin did crack me up.
Helen Mirren is fabulous as always as the
complete badass MI6 agent Victoria.
She’s a killer who loves her work, and still manages to have fun. She’s sassy and spectacular in this role that
seems tailor-made for her. There is one
sequence where she pretends to be an insane asylum patient who believes she is
the queen of England. Pretty hilarious,
based solely on the number of times that Helen Mirren has been the queen of
England.
Anthony Hopkins is new to the cast as Professor
Bailey, the only one who knows where the device is located. The only problem is that he’s been locked in
a loony bin for 30 some years. His
performance is slightly crazed, but very smart, and really fun. I’ve never seen Anthony Hopkins look like he
was enjoying his role as much as he does in this movie. He always seems a bit stodgy and pretentious,
but he really seemed to loosen up for this role.
Byung-hun Lee continues his quest to be the
Korean Matthew McCounaghey in this movie – once again Lautner-ing the hell out
of his role. In GIJoe Retaliation, his
shirt was off within 60 seconds of his appearance onscreen. In this movie – it’s off within 30 seconds of
his appearance. Again – no argument from
me, I would like him to continue to try to set new records with that. He plays the ‘greatest contract killer in the
world’ who had previous interactions with Frank and the team. He comes into the story and promptly joins in
the relation-ship advice-giving mentality.
He’s really fun and personable in this and fits right into the cast. His character’s first kill is amazing – and
let me just say, it involves a bit of oragami.
Catherine Zeta-Jones is another new
addition. She plays a former KGB agent
who had a ‘thing’ with Frank in the past, and steps in to help/hinder the group
in this stage. The competitive jibes
between her and Sarah are hilarious and fantastic.
Neal McDonough plays Jack Horton – the CIA agent
tasked to go after Frank and Marvin to bring them in – or take them
down…whichever. He plays this role with
the same zest he plays everything – he always seems to be having a good
time. He is always going to be Ensign
Hawke to me, and that’s coming from someone who saw him play M. Bison in the
Chun-Li movie (that was bad – I can’t recommend it).
David Thewlis adds to the list of British
thespians in this movie. I would imagine
that if they keep making these movies, they will start to compete with the
Harry Potter movies for the overwhelming amount of British Thespians in
them. He plays ‘the frog’, a character
that really knows wine – and exists for one chase sequence, and one
interrogation scene – both of which are fantastic.
Brian Cox reprises his role as Ivan the
Russian. He’s around to help them get
through Moscow, and to flirt with Victoria.
He does both of these things with panache, again – looking like he’s
having a fantastic time just hanging out.
All in all, this movie surprised me by being some great
action – a lot of fun, and a couple of twists I didn’t see coming. It is pretty violent, so not for the kids,
and the runtime is just under two hours so it could have been a little
shorter. I also have to say that I loved
the transitions in this movie, they used bits of the comic, and really fun
postcards to change scenes. It was
unique and clever. Check it out – maybe
rent the first one, then go see this one.
I’m pretty sure you’ll agree that it’s a little bit better. Of course, it doesn’t have Morgan Freeman…so
there is that.
7 out of 10. Gained
points for Lee’s prompt disrobing – I love it.
Lost points for Sarah constantly whining about wanting more action. Gained points for everyone giving Frank
relationship advice. Lost points for Zeta-Jones’s
a little over-the-top va-va-va-vooming.
Gained points for the chase sequences, there are some really great car
sequences in this. Lost points for no
Morgan Freeman.
Bonus Video 1: Harry
Potter 3 – Thewlis, Oldman, Spall…really the best of those.
Bonus Video 2: The
Chun-Li movie – it’s not good, but I found it entertaining. In which Lui Kang crosses dimensions and teaches Lana Lang to kick ass. Featuring Moon Bloodgood, MCD, Neal McDonough, Chris Kline, Robin Shou and Kristen Kreuk.
Bonus Video 3: Blind
Date – remember when Bruce Willis was that TV funny guy from Moonlighting?
Very early this year when we recorded our podcast for the
‘most anticipated’ movies of 2013 (check it out at http://www.HeSawSheSawFilm.wordpress.com)
Pacific Rim is the movie I was the most excited about. I could not wait to see the latest creation
of Guillermo del Toro. I am a big fan
of his. He started as a
visual effects creator in Mexico, then started making his own movies, and has
created some of the most visually stunning movies around. Blade 2 is my favorite of the Blade movies,
but aside from that, it is the one with the most impressive visuals, cleanest
story, and Ron Perlman.
All of del Toro’s movies have his signature all over them
very loudly, usually including a few trademark pieces: tunnels and/or caves, creepy weird things in
jars, and an autopsy/examination of some creature or thing on a table.
Some of his earlier movies like Chronos, Mimic and Devil’s Backbone are
more horror aligned. His more recent
movies like the Hellboy series and Pan’s Labyrinth are more fantasy with
elements of horror. Pan’s Labyrinth is
one of the most beautiful, terrifying, elegant, creepy, lovely fantasy fairy
tales ever put to film. It is one of
the best movies I have ever seen.
Del Toro is a fan first, and growing up – he had a major love
for the early Japanese Kaiju films. Not
sure you know what a Kaiju is? Of course
you do, you’ve heard of Godzilla, right?
Kaiju literally means “strange creature”, but has been adapted to mean
any of the giant monsters that populated these movies. Starting with Godzilla in 1954, then growing
to include many other large monstrous beasts:
Mothra, Gamera, and Rodan just to name a few.
These Kaiju movies were very popular and made their way
through all different levels of pop culture.
In fact, if you were like me, and watched Mighty Morphing Power Rangers
back when they were still Mighty Morphing, anytime Rita used something and
turned it into a monster, then used her magic wand to make it grow – those were essentially Kaiju, or at the very least,
Kaiju-inspired.
Guillermo del Toro loved these movies and wanted to find a
way to modernize them (please disregard the Emmerich Godzilla remake with Matthew Broderick - no one counts that). When he first
announced plans to make Pacific Rim – a movie in which we create giant robots
to fight giant Kaiju, the fanboy nation rejoiced. Who else could make such a masterpiece?
Sometime in the near future, a rift opens in the bottom of
the Pacific Ocean between our world and ‘their’ world. They start coming through. The first Kaiju makes landfall in
SanFransico, and the shots of that first attack are amazing. We defeat it, but only after several days of
attacks with jets and tanks. The
creatures keep coming through, one after another, attacking various cities that
ring the Pacific Ocean. We decide to
build better weapons, and the Jaeger program is born (Jaeger is German for
‘hunter’). We soon realize that the
neural connection required to control the Jaeger is too much for a single
pilot, so we use teams of two who are neutrally connected to each other, and to
the robot. Because of this, pilot teams
need to be able to ‘drift’ well together.
So it’s usually sibling teams, or other family units. The Jaegers are very successful, and we start
to get cocky about how easily we are beating some of these Kaiju.
Raleigh and his brother Yancey are a great Jaeger team piloting
“Gipsy Danger” working the Alaskan coast when they make a misstep against a
kaiju, and Yancey gets killed, while still attached to Riley. Not sure he can get over the feeling of
losing his brother while still connected; Raleigh quits the Jaeger program, and
starts working on the ‘wall’, our new defense plan (because that will work,
right?). The kaiju start adapting to our robots, and
they start winning. Marshal Pentecost
has just been informed by the powers that be that they are shutting down the
Jaeger program. It’s too expensive,
we’re losing too many Jaegers, and we can’t build them fast enough and staff
them well enough to keep the war going.
Pentecost decides on a final gambit of dropping a nuclear bomb down the
rift that the Kaiju are coming through, shutting it and keeping them out of our
realm forever. But to do that, he needs
all the pilots he can find, so he re-recruits Riley, and sets up trials to find
the most compatible co-pilot for him. It
ends up being the general’s adopted daughter, Mako. With the plan in place, and new scientific
evidence from Kaiju biologist Newton and Kaiju mathematician Gottlieb;
Pentecost prepares to launch the final assault to cancel the apocalypse.
In terms of story, really Pacific Rim is nothing you haven’t
seen before – but you’re not here for the story, you’re here to see giant
robots fight giant monsters. It’s fun,
well done, and the story is good.
The cast is also pretty great:
Charlie Hunnam is best known from Sons of Anarchy, and does
his best to continue his American accent in this movie. I found that to be an odd choice, since there
is so much focus on the globalization of this movie (everyone is represented),
why not let him use his own Northern England accent? In any case, I found Hunnam to be very flat,
and not that great in this movie. I
can’t tell if that’s what he was asked to give, or if that was his choice, but
I found him boring and one-note. This is
made more obvious, because everyone else in the movie is really good.
Rinko Kukuchi is Mako, and this is one of her first American
movies. She is very good, conveying
Mako’s confidence that she can pilot a Jaeger conflicting with her desire to
honor and respect the wishes of Marshall Pentecost. She has incredible non-verbal acting and her
eyes and face convey her emotions.
The beautiful Idris Elba plays Pentecost, and does a
fantastic job. He is the heart of this
movie; the focal point around which everything else moves. He is very still, very focused, and knows
exactly what he must do, and what he must inspire others to do to win this
war. The ‘surprise’ of him being Mako’s
adopted father is transparent, and the ‘surprise’ ending of him having to climb
into a Jaeger to help save the day is transparent, but none of that matters,
because his performance is magnetic.
Clifton Collins Jr. plays Tendo Choi – who I would explain
as the ‘eyes and ears’ for the Jaegers on the ground, running controls from the
control room. He’s a bit chameleonic and
blends into every role he gets. Because
of that, he’s one of those guys who is in everything, but you never know his
name. It’s Clifton Collins Jr. – see if
you remember it the next time you see him (you probably won’t).
Burn Gorman, who I will always think of as Owen from
Torchwood, plays Gottlieb. His character
in this is almost the exact opposite of his character on Torchwood. He is the one who
determines how often the Kaiju are coming through, and uses that information to
determine when we can expect a ‘double event’ – two Kaiju coming through at the
same time. His scenes with Charlie Day
are fantastic and entertaining.
Max Martini and Robert Kazinsky play Herc and Chuck
Hansen. They are the father –son duo
that is the number 1 Jaeger team when Riley has to come back into the
squad. This provides the obligatory
tension between Riley and Chuck as they mouth off about who is the better
pilot.
Charlie Day from It’s Always Sunny in Philadelphia and the
brilliant Horrible Bosses plays Newton – the scientist who has been studying
Kaiju brain remains (autopsy/examination sequence) in an attempt to figure out
what they want and why they are attacking in the hopes of learning how to stop
them. Day is fantastic and plays loose
and fast with the dialogue. Other actors
in the movie deliver it as written, which is fine – however, Day is a comedic
actor with the ability to raise the level of the dialogue he’s given and find
jokes and entertainment in the performance and delivery, rather than just in
the script.
Ron Perlman plays Hannibal Chau – and his explanation of
that name is one of the best lines in the movie. He’s absolutely wonderful in this as he is in
every Guillermo del Toro movie he’s in.
The part was written for him and allows him to chew up every single bit of
scenery near him as the resident black market Kaiju parts dealer. The scenes he has with Day are the best parts
of the movie: quick, spirited, fun and really entertaining. Not to mention those shoes (stay through the
credits).
One of my favorite things about del Toro movies is the
amount of practical effects. He strives
to make everything as real as possible, only using CGI when necessary. The ‘market scene’ in Hellboy 2 is the
perfect example of this. Everything is a practical effect. That being said, when he said giant monsters vs. giant
robots, I wondered how that would fit with his practical sensibilities. He hired ILM, and it looks amazing. The CGI are stunning, and all the fight
sequences are great – however, way too many of them take place at night and in
the rain. There are a few scenes that
show battles that happen during the day – and I love those so much more.
You can actually see the Kaiju as it
interacts with the Jaeger, fully lit – in bright light. The fight sequences that take place at night,
I kept feeling like I was missing something.
I did love the scene when Riley gets back to the base after his 5 year
absence, and we do get the slow introduction to each of the remaining
Jaegers. It allows you to see them, and
get a really good look at them. I would
have loved a corresponding sequence with the Kaiju. They are nicknaming each of the Kaiju as they
come through, but we never get a sequence where we really get to look at
them. Del Toro specifically created each
of them so that they had enough of a humanoid shape that they could have been a
guy-in-a-suit like back in the 50s and 60s.
Because so many of the fights are at night, you don’t really get a good
look at the kaiju. Thank goodness for additional images on the internet.
I do love the scenes where things are really there. And true to del Toro’s nature, there are many
scenes where people are interacting with practical effects. The scenes in Hannibal Chau’s hideout were my
favorites, based just on the set itself.
All in all, this movie is what summer movies are supposed to
be. It’s a little bit Independence Day
and a little bit StarShip Troopers. It’s
big, it’s over-the-top, it’s crazy, and it’s fun. Go see it – as big as you can – and in
3D. Marvel at the spectacle and get the
biggest popcorn they have available.
9 out of 10. Lost the
point for Hunnam’s performance and too many fight scenes at night. Gained points for every scene with Day and
Perlman, and especially any scenes with the two of them together. Gained points for clearly evacuating the
cities when danger is near – saving the civilian population – take note Man of
Steel. Gained points for the kaiju – but
I did want a closer look at them. Gained points for Idris’s ID4 speech. You had seen it in almost every commercial, but it still gave me chills when he delivered it! Gained
points for the one Kaiju going right through the wall – prompting the response,
“Why are we even building this thing?”
Bonus Video 1: I felt
like it was more like Starship Troopers…
Bonus Video 2: … But my friend says more like Independence
Day:
Bonus Video 3: …and
of course, there are the comparisons to Cloverfield:
Bonus Video 4: Mimic
– really fun little Del Toro horror piece with Mira Sorvino and Charles S.
Dutton.
The Lone Ranger first hit TV in 1949, (he had been the star
of a weekly radio program starting in January in 1933) and brought the fun of a
serialized Western to weekly TV. The
series ran from 1949 through 1957. Cowboy stories were very popular at the time, and he struck a chord with many
youngsters across the nation. On TV, he
was portrayed by Clayton Moore, while Jay Silverheels portrayed the noble
sidekick, Tonto. The Lone Ranger would save the day –
and ride off on his white horse, Silver, saying, “Hi-ho Silver! Away!” over the William Tell overature. After which, one of the townspeople would state, “Who was that masked
man, anyway?”
Fran Striker, and George Trendle created a creed for the
Lone Ranger and Tonto that Moore and Silverheels tried to embody at all times,
knowing that they were role models for all the children who watched their
show. It began with “I believe”…then
includes the following: That to have a
friend, a man must be one; that all men are created equal and that everyone has
within himself the power to make this a better world; that God put the firewood
there, but that every man must gather and light it himself; in being prepared physically,
mentally, and morally to fight when necessary for what is right; that all
things change, but truth lives on forever.
Striker and Trendle also created ‘rules’ for how the character would behave: he would never been seen without his mask; the
Lone Ranger always uses perfect grammar and precise speech, avoiding slang; The
Lone Ranger never shoots to kill, but rather to disarm; The Lone Ranger never
drinks or smokes; criminals are never shown in enviable positions of wealth or
power, and they are never glamorous. The
Lone Ranger made the decision to only use silver bullets to remind himself that
life is precious, and is not to be wasted.
This is a great iconic American hero, and he is deserving of a fantastic
movie. However, this new one is not it.
Johnny Depp has never liked ‘normal’ and has built his
career around bucking it. Rumor has it
he was so fed up with being thought of as the ‘heartthrob’ from 21 Jump Street
that he did whatever he could to get out of his contract on that show,
including showing up with marbles in his mouth.
Since then, he has done whatever he could to create unique, quirky
characters one after another. That’s all
well and good – but after a while, they start to all feel a little
similar. Beginning with the sad and
beautiful Edward Scissorhands; and going all the way through Jack Sparrow, new
Willy Wonka, Dark Shadows, Sweeny Todd, and Alice in Wonderland.
When news broke that Johnny was going to star as Tonto in
the Lone Ranger movie, a collective groan went up from fans. You can debate how much of him is or is not
actual Native American (he says a great amount) but you cannot debate that he
would turn it into a strange quirky character.
Then the first picture of him the in makeup he had chosen for the
character turned up. The groans doubled
in volume. Then came the word of how he
and his Pirates director Gore Verbinski were perhaps going over budget with
this overblown story. There was a lot of
bad word of mouth before the first trailers came out.
After the trailer came out, the movie looked better, and
started to look interesting.
Unfortunately, it’s not. The
problem is that the movie is way too long, and becomes self-indulgent on the
part of Depp and Verbinski.
The movie begins in a Little Big Man or Young Guns 2 or
Posse style of having a really old guy tell the story through flashbacks. A small child wanders through a wild west
exhibit in 1933 San Francisco, and encounters a very old Native American “in
his natural environment”. Turns out he’s
alive, and Tonto, and begins to tell the child the story. Tonto was captured on a train with criminal
Butch Cavendish who was on his way to be picked up by rangers to transport him
to his hanging. A lawyer, John Reid, is also on the
train going to meet his brother, Dan – who is leading the rangers. Well, Cavendish’s gang busts him out, he
chains Tonto to the lawyer, and this leads to a preposterous escape
sequence.
There’s also a really long and
boring sequence that establishes Tom Wilkinson as the head of the railroad
company building the train, and cooperating with the Comanche, and flirting
with the ranger’s wife Rebecca – the lawyer’s sister-in-law-who used to be with the
lawyer, but is now with the ranger (there is what feels like a half hour
sequence in which she picks out a scarf that everyone tells her matches her
eyes).
In any case, Cavendish gets loose, the ranger collects a posse and goes
after him, taking his brother the lawyer.
The posse rides directly into an ambush – after what felt like 20
minutes of guys-riding-through-landscapes shots. Everyone is presumed dead. Tonto happens across the bodies, and a spirit
horse (yes, a spirit horse) whom he asks to bring back the ranger, the horse
appears to want to bring back the lawyer instead. He wakes up , realizes everyone is dead –
Cavendish ate his brother’s heart while he was still alive – let me repeat
that, Cavendish ate the guy’s heart as a way to kill him. Tonto makes him a mask out of his brother’s
vest and says it’s best to use the fact that the bad guys think they’re
dead.
They share a meal of rabbit cooked
over an open fire, and dealing with carnivorous rabbits in the desert (what?
Oh, because nature is out of balance?
You’re kidding, right?) They ride
into town to get information, leading to a 20 minute sequence in a brothel, and
the introduction of Helena Bonham-Carter’s ridiculous ivory-scrimshawed legged
madam, Red. They get the information –
it’s all about silver – and there’s a sequence in which Tonto states he’s
afraid of cats, and puts a cage on his head (what the hell is going on?) just
before escaping an angry mob. Then the
middle of the movie proceeds to drag and drag as the plot involving Cavendish,
a silver mine, the railroad, young Tonto, and fake Comanche raids unwinds as
slowly as possible. The woman and her
son get captured, she gives him a gun (she gives a kid a gun in a Disney movie!!!) then climbs through the window of a train to
escape, only to get captured again, then try to wrestle the gun away from the
kid (you just game him that you idiot!!!)
Then, finally, there is the last half hour of the movie –
which is a fantastic action sequence aboard two trains over the William Tell
Overature – as it should be. Honestly,
the last half-hour was great! But the
two hours before that? I wish I could
have fast-forwarded.
Verbinski does a good job, but where the Pirates movies
(okay, just the first one) felt fresh, lively and colorful, this movie feels
dusty, dirty and monochromatic.
Armie Hammer is capable as John Reid (the Lone Ranger). I don’t know that he was good – and it’s not
really his fault. Hammer could become a
leading man one day, but maybe in rom-coms, which is a shame, because he has
the size and frame for an action hero – but I’m just not sure that ever
developed in this movie. Maybe in the
sequel? Oh no, I really hope not.
Hammer is overshadowed by Depp, which would be fine, if
Depp’s performance was something new and amazing. However, I’ll be honest, it felt like Native
American Jack Sparrow. From all
accounts, this was a huge passion project for him and he really wanted it to be
great. It’s not.
Ruth Wilson plays Rebecca Reid, the brother’s wife, who
apparently used to have a thing with John Reid.
That’s confusing and not presented well, but she also has nothing else
to do for the rest of the movie. Even
when she does get some moments – she has to defend her homestead, and escape
custody on the train – the movie quickly un-allows that by immediately having
her lose the homestead and get re-captured.
It’s almost as if she was trying to break out of the 2 dimensional
character box they put her in, and kept failing.
Helena Bonham Carter plays Red, and has two scenes. I think it’s just the two. And yet, all the trailers featured her
heavily, and she’s third billed on some of the posters. I don’t understand that, and I didn’t really
understand her character - but on the up-side, it’s tailor made for her. She even gets to work in her own sad
backstory about having been a dancer, but then Cavendish took her leg,
resulting in an ivory-scrimshaw artificial leg.
Tom Wilkinson plays the head of the railroad and is always a
little creepy, so – Spoiler Alert!!! – his Shaymalan style reveal as the top
villain doesn’t really come as a huge surprise.
In fact, if you’re paying attention to the watch-flip, then you have
that figured out in the first 15 minutes of the film.
Barry Pepper bizarrely shows up as Fuller, a member of the
cavalry, whose allegiance switches so quickly I couldn’t keep up.
If there is a bright spot in this movie, it’s William
Fichtner as Butch Cavendish. He’s slimy,
evil, disgusting, and seems to be the only person in the movie having a good
time. He chews the hell out of every
piece of scenery around him, and that dude’s heart. He’s so good all the time, he deserved a
better movie than this.
James Badge Dale plays the brother Dan Reid, and was on a
bit of a roll this year with Iron Man 3 and World War Z. He’s good in this, and to his credit, is not
in it long, so maybe his hot streak is still intact.
Stephen Root shows up with some ridiculous old west
sideburns to try to pump some enthusiasm into the politics of the plot near the
end, but to no avail.
The movie ends with super-old Tonto walking away very very
very slowly through the desert over the end credits, which is pretty much how
the whole movie felt. It could have been
so good, honestly, if it had just been edited tighter, and cut to maybe an hour
and a half – it would have played better.
But as it – it’s way over the top, overblown, and pretentious. So disappointing. And even more disappointing because of the complete over-hyped marketing campaign. The Lone Ranger is such a great character, and really deserves a great movie. I'm sorry that this is not it.
3 out of 10. Lost
points for the cannibalistic, carnivorous bunnies – they had two scenes! Lost points for everyone wanting to touch
Red’s ivory leg, what? Lost points for
being way too long and way too boring.
Lost points for Cavendish eating a heart. Lost points for giving a kid a gun – absolutely unacceptable in any circumstance in my opinion, and could have been edited out with no issue. Lost points for Hammer’s character not being
enough of a hero, and taking way too long to get to his hero moment. Gained points for the scene in which Tonto
says “Crazy White Man” to a bunch of Chinese rail workers, who all nod
knowingly. Gained points for the spirit
horse in the tree wearing a hat (yep, that happened). Lost
points for being the biggest disappointment of the year to date…but don’t
worry, the Hobbit 2: the Desolation of Cumberbatch comes out later this year,
so I’m sure there will be competition for that title.
Bonus Video 1: Private Resort: Johnny Depp wants you to forget he made this
80s comedy.
Bonus Video 2: Silverado - a Western you've probably never seen - but it's one of my favorites.
Bonus Video 3: Posse - another Western you've probably never seen but you should. Come on, it has Tone Loc and Big Daddy Kane in it. And Billy Zane chewing all the scenery as the villain. And yes, that is Tiny Lister punching a horse in the trailer.